All Deep Ends is the brainchild of Dakota Gilliland, a kind of indie-pop would-be wunderkind from Alabama. Thoughtful, idiosyncratic lyrics elevate his work, I'd argue, beyond even a few of his likely influences. Whether or not he's aware, he's on a bit of a quest. He's reinventing pop(punk) for his bedroom headphones. Here's the rub: In attempting to describe exactly what he does, I'm likely to scare off folks with my own particular tastes. But that's the point. He does it sooooo right. Acoustic folk launches into jangly full-band electric and back with almost-nasally melodies throughout. Modern emo needs this. This is how it should be. If you're familiar with previous works of this band, I think you'll be impressed with the evolution of Dakota's voice. He was a terrific genre singer before. Now he's coming into his own. As for the overall sound of this record, it is all achingly personal. Even the lighter stuff. Even the "dumber" stuff.
Even when the music swirls around you in a wash of distortion and synths. This is a work unafraid to use either the charms of studio polish or the cavernous hiss of home-recording to take the listener to another place: a young man's head. All Deep Ends is music for All Deep Ends. We're just eavesdropping. -Harmless